Showing posts with label PDE Mahabharata. Show all posts
Showing posts with label PDE Mahabharata. Show all posts

Friday, February 4, 2022

Mahabharata Online: Public Domain Edition

The first version of the evolving Public Domain Edition of the Mahabharata is now in production! You will find links to the 80 pages below, and each page will contain text from an existing public domain translation of the Mahabharata along with some comments from me, plus an illustration on each page, and also lots of links to help you explore the story in more detail. And... there is audio too! I hope you will find it an enjoyable and useful approach to the epic. Your comments and suggestions are very welcome; feel free to comment here at the blog or contact me by email, laurakgibbs@gmail.com.

There are links to the individual posts below, and you can also use this link — PDE Mahabharata — to see multiple posts on a page, spread out over several very big webpages (just click the "older posts" link at the bottom of each page to go on to the next page).


Arjuna statue in Bali

Reading Part A
  1. Vyasa and Ganesha
  2. King Shantanu and Ganga
  3. King Shantanu and Satyavati
  4. Devavrata's Vow
  5. Bhishma at the Swayamvara
  6. Amba
  7. Dhritarashtra and Pandu
  8. Kunti and Her Son
  9. Pandu and His Wives
  10. The Sons of Pandu
  11. Gandhari and Dhritarashtra
  12. Pandavas and Kauravas
  13. Bhima and the Nagas
  14. Drona
  15. Drona Trains the Princes
  16. Ekalavya
  17. The Contest
  18. The Arrival of Karna
  19. Drona's Revenge
  20. Duryodhana's Jealousy
Reading Part B
  1. The House of Fire
  2. Bhima and Hidimba
  3. Bhima and Hidimbi
  4. Bhima and Baka
  5. Birth of Draupadi
  6. Draupadi's Swayamwara
  7. Wife of the Five Pandavas
  8. The Story of Nalayani
  9. Indraprastha
  10. Arjuna and Ulupi
  11. Arjuna and the Apsaras
  12. Arjuna and Chitra
  13. Arjuna and Subhadra
  14. The Burning of the Forest
  15. Maya's Palace
  16. The Pandavas Victorious
  17. The Gambling Match
  18. Draupadi Lost
  19. Draupadi in the Assembly Hall
  20. The Second Match
Reading Part C
  1. Life in the Forest
  2. Krishna's Visit
  3. Arjuna and Shiva
  4. Arjuna and Indra
  5. The Himalayas
  6. Bhima and Hanuman
  7. Duryodhana and the Gandharvas
  8. Karna and Indra
  9. Jayadratha and Draupadi
  10. Riddles at the Lake
  11. The Court of King Virata
  12. Bhima and Kichaka
  13. The Cattle Raid
  14. Preparations for War
  15. Krishna and His Army
  16. Krishna's Mission to the Kauravas
  17. Krishna and Karna
  18. The Armies at Kurukshetra
  19. Bhagavad-Gita
  20. The Battle Begins
Reading Part D
  1. Bhishma Falls
  2. Drona in Command
  3. Abhimanyu and Jayadratha
  4. Ghatotkacha
  5. Death of Drona
  6. Bhima and Duhshasana
  7. Arjuna and Karna
  8. Duryodhana in the Lake
  9. The Raid
  10. Ashwatthaman's Jewel
  11. Mourning
  12. The Pandavas and Bhishma
  13. King Yudhishthira's Horse
  14. Parikshit
  15. Horse Sacrifice
  16. The Mongoose
  17. The Forest and its Ghosts
  18. Death of Krishna
  19. The Pandavas Depart
  20. The Afterlife

Wednesday, July 8, 2009

PDE Mahabharata: Vyasa and Ganesha


Reading Guide. Just as the ancient sage Valmiki is credited with composing the Ramayana, the Mahabharata is attributed to Vyasa, and Vyasa will also be an important character in the story itself. This first episode explains how Vyasa came to dictate the Mahabharata to the elephant-headed god Ganesha, and you will also read the story of Vyasa's birth.

Image: The illustration below shows the sage Vyasa dictating to the elephant-headed god Ganesha; it's a sculpture in Murudeshwar, a town in Karnataka, India.

Source. The Mahabharata, A Summary by John Mandeville Macfie (1921). [400 words] Macfie's book is a very brief summary of the Mahabharata, but it is very readable and comprehensive.



PDE Mahahbharata | 1. Vyasa and Ganesha | Ganga


The author of the Mahabharata was Vyasa, who also arranged the Vedas. He was very anxious to get somebody to write it down but declared that no one on earth was worthy of such a task. It contained every thing that man ought to know of things on earth and in heaven. Brahma appeared and told him that the god Ganesha would be his scribe. Ganesha agreed on condition that his pen was not allowed to stop for a moment.

Vyasa himself repeated it to his disciple Vaishampayana, and Vaishampayana in turn recited it at a snake sacrifice conducted by Janamejaya, king of Hastinapura. Janamejaya was the great-grandson of Arjuna, one of the five Pandu brothers, who were themselves the grandsons of Vyasa.
Vyasa is not only the composer of the Mahabharata; he is also a character in the epic. Here is the story of his birth:  
There was a king called Uparichara, king of Chedi, so devoted to asceticism that the gods feared he was seeking to rob them of their power. They accordingly sent Indra to bribe him with the offer of a crystal car capable of carrying him through the sky, a privilege designed for him alone of all mortals. One day in spring, as he was flying through the sky, his semen fell into a river. It was swallowed by a female fish with the result that ten months after, when the fish was caught by a fisherman, two children — a boy and a girl — came forth.

The fisherman told the king of his wonderful find. The king took possession of the boy but left the girl to be reared by the fisherman’s wife. The girl was very beautiful, but she had a fishy smell. Her name was Satyavati. She often helped her foster father, who acted as a ferryman on the river Yamuna.

One day she was ferrying across the river the rishi Parashara. The rishi persuaded the girl to yield to his embraces by promising that she should remain a virgin. She also made a condition that she should lose her fishy smell. She became so sweet-smelling that the fragrance could be smelt seven miles away.

A child was born, and because he was born on an island, he was called Dwaipayana or Island-born. He is called Vyasa because he arranged the Vedas.


PDE Mahahbharata | Vyasa and Ganesha | Ganga



Wednesday, June 24, 2009

PDE Mahabharata: King Shantanu and Ganga


Reading Guide. As you will discover, the Mahabharata is an enormous epic, filled with many characters. In this episode, you will meet one of the most important characters of all: Devavrata, later called Bhishma, who is the son of King Shantanu and the goddess Ganga. As this story explains, he is a human being, but he possesses the powers of the eight gods known as the Vasus. This story explains just how Devavrata (Bhishma) came to have both a human and divine identity.

Image: The illustration depicts the scene when Ganga returns to King Shantanu, accompanied by their son, Devavrata.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [600 words] You can find out more about Donald Mackenzie at this blog post: Donald Mackenzie.



Vyasa | 2. King Shantanu and Ganga | Satyavati


King Bharata was the sire of King Hastin, who built the great city of Hastinapura; King Hastin begot King Kuru, and King Kuru begot King Shantanu.

Be it told of the King Shantanu that he was pious and just and all-powerful, as was meet for the great-grandson of King Bharata. His first wife was the goddess Ganga of the Ganges river, and she was divinely beautiful like to her kind.

Before she assumed human form for a time, there came to her the eight Vasus, the attendants of Indra. It chanced that when the brahmin Vashishtha was engaged in his holy meditations, the Vasus flew between him and the sun, whereupon the angered sage cursed them, saying, "Be born among men!" Nor could they escape this fate, so great was the rishi's power over celestial beings.

So they hastened to Ganga, and she consented to become their human mother, promising that she would cast them one by one into the Ganges soon after birth so that they might return speedily to their celestial state. For this service Ganga made each of the Vasus promise to confer an eighth part of his power on her son, who, according to her desire, should remain among men for many years, but would never marry or have offspring.

A day came thereafter when King Shantanu walked beside the Ganges. Suddenly there appeared before him a maiden of surpassing beauty. She was Ganga in human form. Her celestial garments had the splendor of lotus blooms; she was adorned with rare ornaments, and her teeth were radiant as pearls. The king was silenced by her charms and gazed upon her steadfastly. In time he perceived that the maiden regarded him with lovelorn eyes, as if she sought to look upon him for ever, and he spoke to her, saying, "O slender-waisted and fair one, art thou one of the danavas, or art thou of the race of gandharvas, or art thou of the apsaras; art thou one of the yakshas or nagas, or art thou of human kind, O peerless and faultless one? Be thou my bride."

The goddess made answer that she would wed the king, but said she must needs at once depart from him if he spoke harshly to her at any time or attempted to thwart her in doing as she willed. Shantanu consented to her terms, and Ganga became his bride.

In time the goddess gave birth to a son, but soon afterwards she cast him into the Ganges, saying, "This for thy welfare."

The king was stricken with horror, but he spake not a word to his beautiful bride lest she should leave him.

So were seven babes, one after another, destroyed by their mother in like manner. When the eighth was born, the goddess sought to drown him also, but the king's pent-up wrath broke forth in a torrent of speech, and he upbraided his heartless wife. Thus was his marriage vow broken, and Ganga given power to depart unto her own place. But before she went, she revealed unto the king who she was, and also why she had cast the Vasus, her children, into the Ganges. Then she suddenly vanished from before his eyes, taking the last babe with her.

Before long the fair goddess returned to Shantanu for a brief space, and she brought with her for the king a fair and noble son, who was endowed with the virtues of the Vasus. Then she departed never to come again. The heart of Shantanu was moved towards the child, who became a comely and powerful youth, and was named Devavrata.


Vyasa | King Shantanu and Ganga | Satyavati



Wednesday, June 17, 2009

PDE Mahabharata: King Shantanu and Satyavati


Reading Guide. You already met Satyavati back on the first page of this story, as she is the mother of Vyasa, the composer of the Mahabharata. Now you will meet her again: this time as the new love interest of King Shantanu after he has been deserted by his first wife, Ganga. This episode will repeat once again the story of Satyavati's strange birth, as well as the birth of her son Vyasa, as he is going to play an important role in King Shantanu's dynasty.

Image: The illustration of Shantanu and Satyavati is by the Indian artist Raja Ravi Varma; you can read more about his career at Wikipedia.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [400 words]



Ganga | 3. King Shantanu and Satyavati | Devavrata


When Shantanu had grown old, he sought to marry a young and beautiful bride whom he loved. For one day as he walked beside the Yamuna river, he was attracted by a sweet and alluring perfume which drew him through the trees until he beheld a maiden of celestial beauty with luminous black eyes. The king spake to her and said, "Who art thou, and whose daughter, O timid one? What doest thou here?"

Said the maiden, blessing Shantanu, "I am the daughter of a fisherman, and I ferry passengers across the river in my boat."

Now, the name of this fair maiden was Satyavati. She was of miraculous origin and had been adopted by her reputed sire. It chanced that a fish once carried away in its stomach two unborn babes, a girl and a boy, whose father was a great rajah. This fish was caught by a fisherman, who opened it and found the children. He sent the manchild unto the rajah and kept the girl, who was reared as his own daughter. She grew to be comely and fair, but a fishy odour ever clung to her.

One day, as she ferried pilgrims across the Yamuna, there entered her boat alone the high and pious brahmin Parashara, who was moved by the maiden's great beauty. He desired that she should become the mother of his son and promised that ever afterwards an alluring perfume would emanate from her body. He then caused a cloud to fall upon the boat, and it vanished from sight.

When the fisher girl became the mother of a son, he grew suddenly before her eyes, and in a brief space was a man. His name was Vyasa; he bade his mother farewell and hastened to the depths of a forest to spend his days in holy meditation. Before he departed he said unto Satyavati, "If ever thou hast need of me, think of me, and I shall come to thine aid."

When this wonder had been accomplished, Satyavati became a virgin again through the power of the great sage Parashara, and a delicious odor lingered about her ever afterwards.

On this maiden King Shantanu gazed with love. Then he sought the fisherman and said he desired the maiden to be his bride. But the man refused to give his daughter to the king in marriage until he promised that her son should be chosen as heir to the throne. Shantanu could not consent to disinherit Devavrata, son of Ganga, and went away with a heavy heart.


Ganga | King Shantanu and Satyavati Devavrata




Saturday, June 13, 2009

PDE Mahabharata: Devavrata's Vow


Reading Guide. As mentioned earlier, Devavrata, the son of King Shantanu and the goddess Ganga, will be known as Bhishma. This part of the story explains how he got that name: the Sanskrit word the "terrible oath" which Devavrata takes here so that King Shantanu can marry Satyavati is bhishama pratigya, hence the name "Bhishma."

Image: The illustration of Bhishma and his "terrible vow" is another work by Raja Ravi Varma.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [300 words]



Satyavati | 4. Devavrata's Vow | Swayamvara


Greatly the king sorrowed in his heart because of his love for the dark-eyed maiden, and at length Devavrata was given his secret. Then that noble son of Ganga went to search for the beautiful daughter of the fisherman, and he found her. The fisherman said unto him, when he had made known his mission, "If Satyavati bears sons, they will not inherit the kingdom for the king hath already a son, and he will succeed him."

Devavrata thereupon made a vow renouncing his claim to the throne and said, "If thou wilt give thy daughter unto my sire to be his queen, I, who am his heir, will never accept the throne, nor marry a wife, or be the father of children. If, then, Satyavati will become the mother of a son, he will surely be chosen rajah." When he had spoken thus, the gods and apsaras caused flowers to fall out of heaven upon the prince's head, and a voice came down the wind, saying, "This one is Bhishma."

So from that day the son of Ganga was called Bhishma, which signifies the "Terrible," for the vow that he had taken was terrible indeed.

Then was Satyavati given in marriage to the king, and she bore him two sons, who were named Chitrangada and Vichitravirya.

In time Shantanu sank under the burden of his years, and his soul departed from his body. Unto Bhishma was left the care of the queen-mother, Satyavati, and the two princes.

When the days of mourning went past, Bhishma renounced the throne in accordance with his vow, and Chitrangada was proclaimed king. This youth was a haughty ruler, and his reign was brief. He waged war against the Gandhari of the hills for three years, and was slain in battle by their rajah.

Then Bhishma placed Vichitravirya on the throne, and, as he was but a boy, Bhishma ruled as regent for some years.


Satyavati | Devavrata's Vow | Swayamvara




Wednesday, June 10, 2009

PDE Mahabharata: Bhishma at the Swayamvara


Reading Guide. In the Ramayana you saw how Rama won Sita by competing in a swayamvara contest. In this episode, you will see how Bhishma takes the three daughters of the king of Kashi to be brides for the young son of Shantanu and Satyavati, but he does not participate in a contest; instead, he seizes the women in battle.

Image: The picture below is from an illustration edition of the Mahabharata in Hindi; it shows the moment when Bhishma has taken the three brides and is fighting off the other suitors.

Source. Myths of the Hindus and Buddhists by Sister Nivedita (1914). [700 words] You can find out more about the author at this blog post: Sister Nivedita.



Devavrata | 5. Bhishma at the Swayamvara | Amba


It came to pass that when Bhishma's father, Shantanu, was dead, Bhishma set on the throne his own half-brother, Vichitravirya. And it was necessary that he should find a suitable marriage for this brother in order that the royal succession might be duly secured. And he heard that the bridal choice of the three daughters of the king of BenaresAmba, Ambika, and Ambalika — was about to take place, and that all the kings and princes of the earth were bidden, their father having announced that his daughters should have for their dowry the courage of the bravest knight. So they were to be borne away by that prince whose unaided might should win them from all the rest.

Nor did the king of Benares dream, when he made this announcement, that his eldest daughter Amba was already secretly betrothed to a certain king, Shalwa by name, nor did the princess think it necessary to speak to her father of the matter, for she made sure that her true love, strengthened by her faith and the sure prospect of immediate happiness, would overbear all obstacles and, displaying his prowess before the whole assembled world, would carry her off as the prize of victory. But alas! When Bhishma heard of this bridal tournament he decided that the opportunity was an excellent one to secure suitable queens for the young Vichitravirya, and he determined to seize the three maidens and do combat for them against all comers.

In accordance with this purpose, therefore, Bhishma set out for the city of Benares as a simple gentleman without a retinue. Arriving at the royal lists, he beheld the three maidens, all unrivaled for beauty and richly robed and ornamented, and before them, ranged on thrones and in cars, under royal umbrellas and pearl-embroidered canopies, each with his proper cognizance blazoned on his banner, all the greatest of the earth. For a moment the prince paused to survey the scene; then, with a voice that was like the roaring of a lion, he sounded three times the great battle-cry that was to summon his rivals to mortal combat.

"Bhishma, son of Shantanu, seizes these maidens. Let who will rescue them! By force do I seize them, from amongst men before your very eyes!" No one could stir while the challenge was being sounded, and as for the third time the cry died away Bhishma's charioteer, in the twinkling of an eye, turned his battle-chariot and swiftly drove down upon that part of the lists where the three princesses waited surrounded by their ladies. It was not a moment before their attendants had been made to place them on Bhishma's car, with a line of his servants drawn up in front of them, and even while the great counter-challenge was ringing out on all sides, and angry kings had risen, with swords unsheathed, to leap to chariot or elephant or horseback, as the case might be, he stood alert and smiling, with bow drawn and his back to the royal maidens, ready to do battle for his prize against a world in arms.

Never had there been an archer like Bhishma. With a shower of arrows he stopped the rush that came upon him from all sides at once. His part was like that of Indra fighting against the crowds of asuras. Laughingly with his blazing darts did he cut down the magnificent standards, all decked with gold, of the advancing kings. In that combat he overthrew their horses, their elephants, and their charioteers, each with a single arrow, till, seeing how light was the hand and how true was the aim of Bhishma, son of Shantanu, all the kings of the earth broke ranks and accepted their defeat. And he, having vanquished so many sovereigns, retained his royal prize of three princesses, and escorted them back to Hastinapura, the royal city, to the queen-mother Satyavati, that they might become the brides of her son Vichitravirya the king.


Devavrata | Bhishma at the Swayamvara | Amba




Wednesday, June 3, 2009

PDE Mahabharata: Amba


Reading Guide. Bhishma brings back three women to be the wives of Vichitravirya, but as it turns out only two of them will become brides to the young king. The third woman, Amba, has a story of her own, and in a future incarnation she will become part of Bhishma's life once again near the end of the epic.

Note that in this version of the story, Amba's beloved is called "the king of the Shalwas," while he was called "King Shalwa" in the other version. As you will see, it is often the case that the kings are known in the epics by the name of their kingdom, and so are queens and princesses. For example, in the Ramayana, Kaikeyi grew up in the Kekaya kingdom, which is how she got her name.

Image: The depiction of Amba below is a shadow puppet from Java in Indonesia, and the Mahabharata is a favorite topic of the Javanese wayang theater tradition; you can read more at Wikipedia.

Source. Myths of the Hindus and Buddhists by Sister Nivedita (1914). [800 words]





As the wedding-day itself drew near, Amba, the eldest of the three princesses, sought an audience of Bhishma, the guardian of the imperial house, and with much shyness and delicacy disclosed to him the fact of her prior betrothal to the king of the Shalwas. It seemed to her a far from noble deed that she should marry one man while secretly longing, she said, for another, and so she was allowed to leave Hastinapura and proceed to the capital of the king of the Shalwas.

And when she reached the city of the Shalwas, she came before the king and said simply to him, "I have come, O king. Here I am."

But some blindness and perversity had come upon the king of the Shalwas. Perhaps he was really angry and mortified by his defeat at the hands of Bhishma. Perhaps at first his attitude was taken half in play and gradually grew more and more bitter and earnest. Or perhaps — and this seems the most likely — he was indeed an unknightly man, and the girl had done ill to trust him. In any case, he proved utterly unworthy of the great and faithful love of the Lady Amba. Though she made her feeling clear over and over again with a sincerity that all her life after it made her hot to remember, he showed not the slightest affection for her, but turned away from her, casting her off, say the chronicles, as a snake discards his old skin, with no more feeling of honor or of affection.

And when the maiden, eldest daughter of the king of Benares, at last understood that this was King Shalwa's intention, her heart was filled with anger, and in the midst of her tears of sorrow and pride she rose and said, "Though thou dost cast me off, O king, righteousness itself will be my protection, for truth cannot be defeated!"

And with these words she turned, crying softly, and haughtily went forth from the city. Suffering the deepest humiliation as she was, and scarcely knowing where to turn, the royal maiden for that night took refuge in one of the great forest-hermitages.

Rejected on two sides — for she could not now return to Hastinapura — and too proud to ask shelter in the home of her childhood, there was nothing before the royal maiden save a life of austerity and penance. And gradually, as she grew calm and took the help and advice of the old sages of the ashram, her mind began to settle on Bhishma as the source and root of her woes, and the destruction of Bhishma gradually became the motive to which all her self-severities were to be directed.

From this time her course of conduct became extraordinary. Month after month she would fast and undergo penances. Beauty and charm became nothing in her eyes. Her hair became matted and she grew thinner and thinner. For hours and days she would stand in stillness and silence as if she had been made of stone.

At last Shiva, the Great God, appeared before her, drawn by the power of her prayers and penances, and standing over her with the trident in his hand, he questioned her as to the boon she sought.

"The defeat of Bhishma!" answered Amba, bowing joyfully at his feet, for she knew that this was the end of the first stage in the execution of her purpose.

"Thou shalt slay him," said the Great God.

Then Amba, filled with joy, and yet overcome with amazement, said, "But how, being a woman, can I achieve victory in battle? It is true that my woman's heart is entirely stilled. Yet I beg of thee, O thou who hast the bull for thy cognizance, to give me the promise that I myself shall be able to slay Bhishma in battle!"

Then answered Shiva, "My words can never be false. Thou shalt take a new birth and some time afterwards thou shalt obtain manhood. Then thou shalt become a fierce warrior, well skilled in battle, and remembering the whole of thy present life, thou thyself, with thine own hands, shalt be the slayer of Bhishma." And having so said, the form of Shiva disappeared from before the eyes of the assembled ascetics and the Lady Amba there in the midst of the forest ashram.

But Amba proceeded to gather wood with her own hands, and made a great funeral pyre on the banks of the Yamuna, and then, setting a light to it, she herself entered into it, and as she took her place upon the throne of flame she said over and over again, "I do this for the destruction of Bhishma! To obtain a new body for the destruction of Bhishma do I enter this fire!"






Wednesday, May 27, 2009

PDE Mahabharata: Dhritarashtra and Pandu


Reading Guide. Even though Bhishma obtained wives for Vichitravirya, this did not result in sons who could carry on the Bharata dynasty: Vichitravirya died before Ambika or Ambalika had any children. In this story, you will see how Satyavati proposes a solution, calling upon her own first-born son, Vyasa — remember Vyasa? He is the author of the Mahabharata).

As a result, you will meet two of the most important characters in the epic: Dhritarashtra and his brother (half-brother) Pandu; the sons of these two men — the Kauravas and the Pandavas — will fight the Great War that is the epic's climax. You will also meet their half-brother Vidura, and he too will be an important character in the story.

Image. When Vyasa comes to the princesses, he has been practicing austerities. He is thus a sadhu, and I have included a photograph of a modern sadhu to suggest what he might have looked like.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [300 words]



Amba | 7. Dhritarashtra and Pandu | Kunti


Now it was the custom in those days that a kinsman should become the father of children to succeed the dead king. So Queen Satyavati spake unto Bhishma, saying, "Take thou the widows of my son and raise up sons who will be as sons of the king."

But Bhishma said, "That I cannot do, for have I not vowed never to be the sire of any children?"

In her despair Satyavati then thought of her son Vyasa, and he immediately appeared before her and consented to do as was her desire.

Now Vyasa was a mighty sage, but, by reason of his austerities in his lonely jungle dwelling, he had grown gaunt and repulsive of aspect, so women shrank from before him; fearsome was he, indeed, to look upon.

Ambika closed her eyes with horror when she beheld the sage, and she had a son who was born blind: he was named Dhritarashtra.

Ambalika turned pale with fear: she had a son who was named Pandu, "the pale one."

Satyavati desired that Vyasa should be the father of a son who had no defect, but Ambika sent her handmaiden unto him, and she bore a son who was called Vidura. As it happened, Dharma, god of justice, was put under the spell of a rishi at this time to be born among men, and he chose Vidura to be his human incarnation.

The three children were reared by Bhishma, who was regent over the kingdom and was yet subject to Queen Satyavati. He taught them the laws and trained them as warriors. When the time came to select a king, Dhritarashtra was passed over because that he was blind, and Vidura because of his humble birth, and Pandu, "the pale one," was set upon the throne.


Amba | Dhritarashtra and Pandu | Kunti




Wednesday, May 13, 2009

PDE Mahabharata: Kunti and Her Son


Reading Guide. Remember how Satyavati had a son, Vyasa, as a result of her encounter with a sage, long before she became the wife of King Shantanu? Similarly Kunti, who will later become the wife of King Pandu, also had a son years before, when she was but a girl. You will read about the birth of that son, named Karna, in this episode. Karna will become one of the most important, and complex, characters in the whole epic.

Image: The photograph below shows a brass statue of the sun god, Surya, now found in the State Museum of Orissa in eastern India.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [600 words]



Dhritarashtra and Pandu | 8. Kunti and Her Son | Pandu


King Pandu became a mighty monarch and was renowned as a warrior and a just ruler of his kingdom. He married two wives: Kunti, who was chief rani, and Madri, whom he loved best.

Now Kunti was of celestial origin, for her mother was a nymph; her father was a holy brahmin and her brother, Vasudeva, was the father of Krishna. When but a babe she had been adopted by the rajah of Shurasena, whose kingdom was among the Vindhya mountains. She was of pious heart and ever showed reverence towards holy men.

Once there came to the palace the great rishi Durvasas, and she ministered unto him faithfully by serving food at any hour he desired and by kindling the sacred fire in the sacrificial chamber. After his stay, which was in length a full year, Durvasas, in reward for her services, imparted to Kunti a powerful charm by virtue of which she could compel the love of a celestial being.

One day she had a vision of Surya, god of the sun; she muttered the charm and received him when he drew nigh in the attire of a rajah, wearing the celestial earrings. In secret she became in time the mother of his son, Karna, who was equipped at birth with celestial earrings and an invulnerable coat of mail which had power to grow as the wearer increased in stature. The child had the eyes of a lion and the shoulders of a bull.

In her maidenly shame Kunti resolved to conceal her new-born babe. So she wrapped him in soft sheets and, laying under his head a costly pillow, placed him in a basket of wickerwork which she had smeared over with wax. Then, weeping bitterly, she set the basket afloat on the river, saying, "O my babe, be thou protected by all who are on land, and in the water, and in the sky, and in the celestial regions! May all who see thee love thee! May Varuna, god of the waters, shield thee from harm! May thy father, the sun, give thee warmth! I shall know thee in days to come, wherever thou mayst be, by thy coat of golden mail. She who will find thee and adopt thee will be surely blessed. O my son, she who will cherish thee will behold thee in youthful prime like to a maned lion in Himalayan forests."

The basket drifted down the River Aswa until it was no longer seen by that lotus-eyed damsel, and at length it reached the Yamuna; the Yamuna gave it to the Ganges, and by that great and holy river it was borne unto the country of Anga. The child, lying in soft slumber, was kept alive by reason of the virtues possessed by the celestial armor and the earrings.

Now there was a woman of Anga who was named Radha, and she had peerless beauty. Her husband was Adhiratha (also called Shatananda), the charioteer. Both husband and wife had for long sorrowed greatly because that they could not obtain a son. One day, however, their wish was gratified. It chanced that Radha went down to the river bank, and she beheld the basket drifting on the waves. She caused it to be brought ashore, and when it was uncovered, she gazed with wonder upon a sleeping babe who was as fair as the morning sun. Her heart was immediately filled with great gladness, and she cried out, "The gods have heard me at length, and they have sent unto me a son." So she adopted the babe and cherished him. And the years went past, and Karna grew up and became a powerful youth and a mighty bowman.


Dhritarashtra and Pandu | Kunti and Her Son | Pandu




Wednesday, May 6, 2009

PDE Mahabharata: Pandu and His Wives


Reading Guide. Remember how a hunting accident led to a curse that shaped the course of King Dasharatha's whole life? Something similar is going to happen to King Pandu as you will read in this episode.

Image: The illustration below combines multiple scenes in a single frame. So, for example, in the background you can see the deer who are mating; then, foregrounded, you can see the deer transformed as he talks with the king.

Source. The first part is from Indian Myth and Legend by Donald A. Mackenzie (1913), and the second part is from the Mahabharata translated by K. M. Ganguli (1883). [700 words] To give you a sense of the style of the Mahabharata itself, I have provided a brief excerpt from a literal translation of the Mahabharata into English, and even that excerpt is abridged: I have left out the back-and-forth argument between Pandu and the brahmin, and I have also modernized the use of "thou" to "you." The full text is online at Sacred Texts.



Kunti | 9. Pandu and His Wives | Sons of Pandu


Kunti, who was comely to behold, chose King Pandu at her swayamvara. Trembling with love, she placed the flower garland upon his shoulders.

Madri came from the country of Madra, and was black-eyed and dusky-complexioned. She had been purchased by Bhishma for the king with much gold, many jewels, and elephants and horses, as was the marriage custom among her people.

The glories of King Bharata's reign were revived by Pandu, who achieved great conquests and extended his territory. He loved well to go a-hunting, and at length he retired to the Himalaya mountains with his two wives to pursue and slay deer. There, as fate had decreed, he met with dire misfortune. One day he shot arrows at two deer which he beheld sporting together, but they were, as he discovered to his sorrow, a holy brahmin and his wife in animal guise. The sage was wounded mortally, and before he died he assumed his wonted form and foretold that Pandu, whom he cursed, would die in the arms of one of his wives.

The king was stricken with fear; he immediately took vows of celibacy and gave all his possessions to brahmins; then he went away to live in a solitary place with his two wives.

Here in more detail is the story of the Pandu and the brahmin:

One day Pandu, while roaming about in the woods that teemed with deer and wild animals of fierce disposition, saw a large deer that seemed to be the leader of a herd serving his mate. Beholding the animals, the monarch pierced them both with five of his sharp and swift arrows winged with golden feathers. That was no deer that Pandu struck at, but a rishi's son of great ascetic merit who was enjoying his mate in the form of a deer. Pierced by Pandu while engaged in the act of intercourse, he fell down to the ground, uttering cries that were of a man, and began to weep bitterly.

The deer then addressed Pandu and said, "O king, even men that are slaves to lust and wrath, and void of reason, and ever sinful, never commit such a cruel act as this. I do not blame you for your having killed a deer, or for the injury you have done to me. But, instead of acting so cruelly, you should have waited till the completion of my act of intercourse. What man of wisdom and virtue is there that can kill a deer while engaged in such an act? The time of sexual intercourse is agreeable to every creature and productive of good to all. O king, with this my mate I was engaged in the gratification of my sexual desire. But that effort of mine has been rendered futile by you. What have you done, O best of men, in killing me who have given you no offence? I am, O king, a muni who lives on fruits and roots, though disguised as a deer. I was living in the woods in peace with all. Yet you have killed me, O king, for which I will curse you certainly. As you have been cruel unto a couple of opposite sexes, death shall certainly overtake you as soon as you feel the influence of sexual desire. You have slain me without knowing that I am a brahmin; the sin of having slain a brahmin shall not, therefore, be yours. But, senseless man, as you have killed me, disguised as a deer, at such a time, your fate shall certainly be even like mine. When, approaching your wife lustfully, you will unite with her even as I had done with mine, in that very state shall you have to go to the world of the spirits. And that wife of yours with whom you may be united in intercourse at the time of your death shall also follow you with affection and reverence to the domains of the king of the dead. You have brought me grief when I was happy. So shall grief come to you when you are in happiness."

Saying this, that deer, afflicted with grief, gave up the ghost, and Pandu also was plunged in woe at the sight.


Kunti | Pandu and His Wives | Sons of Pandu




Wednesday, April 29, 2009

PDE Mahabharata: The Sons of Pandu


Reading Guide. In this episode, you will see how Pandu gets sons, despite having been cursed by the sage whom he killed while the sage was in the form of a deer, and also how that curse will bring about Pandu's death.

Image: The practice of a widow burning herself on her husband's funeral pyre is called sati ("suttee" in English). This practice is now illegal in India, but it was still practiced in modern times; the illustration of a sati ceremony below dates to around 1800. You can read more at Wikipedia: Suttee.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [300 words]



Pandu10. The Sons of Pandu | Gandhari


Some have told that Pandu never had children of his own, and that the gods were the fathers of his wives' great sons.

Kunti was mother of Yudhishthira, son of Dharma, god of justice, and of Bhima, son of Vayu, the wind god, and also of Arjuna, son of mighty Indra, monarch of heaven.

Madri received from Kunti the charm which Durvasas had given her, and she became the mother of Nakula and Sahadeva, whose sires were the twin Ashwins, sons of Surya, the sun god.

These five princes were known as the Pandava brothers.

King Pandu was followed by his doom. One day, as it chanced, he met with Madri, his favorite wife; they wandered together in a forest, and when he clasped her in his arms, he immediately fell dead as the brahmin had foretold.

His sons, the Pandava brothers, built his funeral pyre so that his soul might pass to heaven. Both Kunti and Madri desired to be burned with him, and they debated together which of them should follow her lord to the region of the dead.

Said Kunti, "I must go hence with my lord. I was his first wife and chief rani. O Madri, yield me his body and rear our children together. O let me achieve what must be achieved."

Madri said, "Speak not so, for I should be the chosen one. I was King Pandu's favorite wife, and he died because that he loved me. O sister, if I survived thee I should not be able to rear our children as thou canst rear them. Do not refuse thy sanction to this which is dear unto my heart."

So they held dispute, nor could agree, but the brahmins, who heard them, said that Madri must be burned with King Pandu, having been his favorite wife. And so it came to pass that Madri laid herself on the pyre, and she passed in flames with her beloved lord, that bull among men.


Pandu | The Sons of Pandu Gandhari




Saturday, April 25, 2009

PDE Mahabharata: Gandhari and Dhritarashtra


Reading Guide. In the previous episode, you met the sons of Pandu, called the Pandavas. In this episode, you will learn about the sons of Dhritarashtra, who are called the Kauravas, after their ancestor, King Kuru. Dhritarashtra's oldest son is named Duryodhana, and the rivalry between the Pandavas and the Kauravas, led by Duryodhana, will be the dominant theme of the epic.

Image: In the illustration below, you will see the blind king Dhritarashtra and his wife, Gandhari, with her eyes blindfolded. Duryodhana defies their good advice, and the wise old grandfather, Bhishma, watches the scene from the sidelines.

Source. The first part is from Indian Myth and Legend by Donald A. Mackenzie (1913), and the second part is from The Five Brothers by Elizabeth Seeger (1948). [300 words] Seeger's book is a novel-length retelling of the Mahabharata, rich in detail and characterization as you can see even in this brief excerpt.



Sons of Pandu11. Gandhari and Dhritarashtra | Pandavas and Kauravas


Meanwhile King Pandu's blind brother, Dhritarashtra, had ascended the throne to reign over the kingdom of Bharatavarsha, with Bhishma as his regent until the elder of the young princes should come of age.

Dhritarashtra had taken for wife fair Gandhari, daughter of the Rajah of Gandhara. When she was betrothed, she went unto the king with eyes blindfolded, and ever afterwards she so appeared in his presence.

She became the mother of a hundred sons, the eldest of whom was Duryodhana. These were the princes who were named the Kauravas, after the country of Kurujangala.

Duryodhana's death was ill-omened:

When Duryodhana was born, he had begun to cry and bray like an ass. Hearing him, asses and jackals, crows and vultures had also cried out; violent winds had arisen and fires had broken out in various places.

The king had summoned Bhishma and other wise counselors, and they said to him, "O lord of earth, these frightful omens mean that this eldest son of yours will be the ruin of his people. Abandon him, O King; do good to all the world by casting off this one child! It has been said that one person should be cast off for the sake of a family; that a family should be cast off for the sake of a village; that a village may be cast off for the sake of the whole country, and that the whole earth may be cast off for the sake of the soul."

Although all the wise men counseled him thus, the king had not the heart to follow their advice, out of fondness for his son. He always favored Duryodhana more than his other children, so the boy grew up to be proud and jealous and evil-minded.


Sons of Pandu | Gandhari and Dhritarashtra | Pandavas and Kauravas

Wednesday, April 22, 2009

PDE Mahabharata: Pandavas and Kauravas


Reading Guide. The widowed Kunti alone raises the five sons of Pandu, living in the remote Himalayas under the protection of the sages who live on the mountain peaks. She then brings the five boys to Pandu's royal city, Hastinapura, where Pandu's brother, the blind king Dhritarashtra, gives them a home and raises the five sons of Pandu (the Pandavas) together with his own sons (called the Kauravas).

Image: The photograph below is a sculpture of the Pandava brothers from the Dashavatara Temple (The Temple of the Ten Avatars of Vishnu) in Deogarh, India.

Source. The first part is from Indian Myth and Legend by Donald A. Mackenzie (1913), and the second part is from The Five Brothers by Elizabeth Seeger [600 words] Seeger begins her retelling of the Mahabharata with exactly this scene, when the Pandavas come with Kunti to the court of Hastinapura.



Gandhari | 12. Pandavas and Kauravas | Nagas


The widowed Kunti returned to Hastinapura with her three sons and the two sons of Madri also. When she told unto Dhritarashtra that Pandu his brother had died, he wept and mourned greatly; then he bathed in holy waters and poured forth the funeral oblation. The blind king gave his protection to the five princes who were Pandu's heirs.

So the Pandavas and Kauravas were reared together in the royal palace at Hastinapura. Nor was favor shown to one cousin more than another. The young princes were trained to throw the stone and to cast the noose, and they engaged lustily in wrestling bouts and practiced boxing. As they grew up, they shared work with the king's men; they marked the young calves, and every three years they counted and branded the cattle.

Yet, despite all that could be done, the two families lived at enmity. Of all the young men Bhima, of the Pandavas, was the most powerful, and Duryodhana, the leader of the Kauravas, was jealous of him. Bhima was ever the victor in sports and contests. The Kauravas could ill endure his triumphs, and at length they plotted among themselves to accomplish his death.

Here is an account of the arrival of the Pandavas at the city:

The chariot of the thousand-rayed sun was rising from the eastern hills when the five sons of Pandu, with their mother, Kunti, came to the principal gate of Hastinapura, the City of the Elephant. They had been brought there by the holy sages who dwelt on the Mountain of a Hundred Peaks, where the sons of Pandu had been born and where they had spent their childhood. As they drew near to the city, the boys, who had known no home but the deep forest, beheld with wonder the high white walls, the arched gateways as dark as storm clouds, and the countless palaces surrounded by flowering trees, all touched by the first light of the sun, the maker of the day. This was their father's city, the noble capital of the kings of the Bharata folk.

The eldest of the sages, knocking at the gate, summoned the porter, who looked with amazement at the company that stood before him. He saw the stately lady Kunti and the five boys, as beautiful as gods, who stood beside her with the bearing of young lions. At her right was the eldest, about twelve years old, and beside him his brother, a year younger, broad of shoulder and long of arm, as strong as a yearling bull. At her left was a slender, dark-skinned boy with curling hair, and close to him were the younger brothers, twins of astonishing beauty.

Around Kunti and her sons stood those mighty sages who had cared for them and brought them to the city. They were very holy men who rarely came down from their sky-piercing peaks into the world of men. Their bodies were thin from fasting and clad only in deerskins bound round their loins; their unkempt hair fell on their bare shoulders, but an inner light shone through their thin bodies, and their flashing eyes were terrible to behold. The porter had heard tales of sages such as these: how they had freed their hearts of anger and fear and all desire and gained such power of soul that they could live as long as they wished to live; that they could travel a thousand miles in the wink of an eye and could behold the whole universe as if it were a plum in the palms of their hands. He bowed down before them till his head touched the ground and awaited their orders.

"Go at once to the king," said the eldest of the holy ones. "Tell him that we await him here."


Gandhari | Pandavas and Kauravas Nagas





Monday, April 20, 2009

PDE Mahabharata: Bhima and the Nagas


Reading Guide. It does not take long for Duryodhana's hatred of his cousins to escalate into a sinister plot: in this episode, he attempts to kill Bhima, the second of Pandu's sons and strongest of the Pandavas. This episode is the first of many occasions when the Pandava heroes encounter supernatural beings. In this case, Bhima goes down into the underworld king of the mighty serpents who are called nagas, and as a result of this adventure, he becomes supernaturally strong.

Image: If you look at a detail from the image, you will see that those are some bloodthirsty snakes attacking Bhima!

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [300 words]



Pandavas and Kauravas | 13. Bhima and the Nagas | Drona


It chanced that the young men had gone to dwell in a royal palace on the banks of the Ganges. One day, when they feasted together in the manner of warriors, Duryodhana put poison in the food of Bhima, who soon afterwards fell into a deep swoon and seemed to be dead. Then Duryodhana bound him hand and foot and cast him into the Ganges; his body was swallowed by the waters.

But it was not fated that Bhima should thus perish. As his body sank down, the fierce snakes, which are called nagas, attacked him, but their poison counteracted the poison he had already swallowed, so that he regained consciousness. Then, bursting his bonds, he scattered the reptiles before him, and they fled in terror.

Bhima found that he had sunk down to the city of serpents, which is in the underworld. Vasuki, king of the nagas, having heard of his prowess, hastened towards the young warrior, whom he desired greatly to behold.

Bhima was welcomed by Aryaka, the great-grandsire of Kunti, who was a dweller in the underworld. He was loved by Vasuki, who, for Aryaka's sake, offered great gifts to fearless Bhima. But Aryaka chose rather that the lad should be given a draught of strength which contained the virtues of a thousand nagas. By the king of serpents was this great boon granted, and Bhima was permitted to drain the bowl eight times. He immediately fell into a deep slumber, which continued for the space of eight days. Then he awoke, and the nagas feasted him before he returned again unto his mother and his brethren, who were mourning for him the while.

Thus it fell that Bhima triumphed over Duryodhana, for ever afterwards he possessed the strength of a mighty giant. He related unto his brothers all that had befallen him, but they counseled him not to reveal his secret unto the Kauravas, his cousins.


Pandavas and Kauravas | Bhima and the Nagas | Drona




Wednesday, April 15, 2009

PDE Mahabharata: Drona, Son of Bharadwaja


Reading Guide. In this episode, you will meet one of the most important characters in the epic: Drona, who will become the guru (teacher) to the young Pandavas and to the Kauravas, their cousins. You will also learn about Drona's boyhood friendship with King Drupada — a friendship which later turned to hatred. An important thing to note here is that Drona, one of the warrior heroes of the epic, is a brahmin by birth, not a kshatriya (warrior).

Image. The image I have included below shows Drona's father, the great brahmin Bharadwaja. Bharadwaja has a connection with the Ramayana: during their forest exile, Rama and Sita spent time at his hermitage.

Source. Indian Myth and Legend by Donald A. Mackenzie (1913). [500 words]



Nagas | 14. Drona | Training


About this time the prudent Bhishma deemed that the young men should be trained to bear arms, so he searched far and wide for a preceptor who was at once a warrior and a scholar, a pious and lofty-minded man, and a lover of truth. Such was Drona, the brave and god-adoring son of Bharadwaja. He was well pleased to have care of the princes and to give them instruction worthy of their rank and martial origin.

Drona had no mother: his miraculous birth was accomplished by a beautiful nymph, and his sire was Bharadwaja, a most pious brahmin. Of similar origin was Drupada, son of a rajah named Prishata. Drona and Drupada were reared together like brothers by the wise Bharadwaja, and it was the hope of both sires that their sons would repeat their own lifelong friendship.

But when, after happy youth, they grew into manhood, fate parted them. The rajah retired from the throne, and Drupada ruled the kingdom of Panchala. Bharadwaja died soon afterwards, and Drona married a wife named Kripi (sister of Kripa), who became the mother of his son Ashwatthaman. The child was so named because at birth he uttered a cry like to the neighing of a horse. Drona devoted himself to rearing his son, while he accumulated the wisdom of the sages and performed sacred rites with pious mind like to his holy sire.

When the sage Jamadagni, son of Bhrigu, closed his career, he bestowed his great wealth on the sons of brahmins. Drona received heavenly weapons and power to wield them. Then he bethought him to visit Drupada, the friend of his youth, and share his inheritance with him.

Drona stood before the rajah and exclaimed, "Behold thy friend."

But Drupada frowned; his eyes reddened with anger, and for a while he sat in silence. At length he spoke haughtily and said, "Brahmin, it is nor wise nor fitting that thou shouldst call me friend. What friendship can there be between a luckless beggar and a mighty rajah? I grant that in youth such a bond united us, one to another, but it has wasted away with the years. Do not think that the friendship of youth endures for ever in human hearts; it is weakened by time, and pride plucks it from one's bosom. Friendship can exist only between equals as we two once were, but no longer chance to be. Hear and know! Rich and poor, wise and ignorant, warriors and cowards, can never be friends; it is for those who are of equal station to exercise mutual esteem. Say, can a brahmin respect one who is ignorant of the Vedas? Can a warrior do other than despise one who cannot go forth to battle in his rumbling chariot? Say, can a monarch condescend to one who is far beneath him? Begone, then, thou dreamer! Forget the days and the thoughts of the past. I know thee not. "

Drona heard the harsh words of his old friend with mute amaze. For a moment he paused. Then abruptly he turned away, nor spake he in reply. His heart burned with indignation as he hastened out of the city.


Nagas | Drona | Training